In a village of silence, her violin continues to sing for 80 years

The eerie silence of the slender Madathu Theru (road) in Mathirimangalam, within the Mayiladuthurai district, is immediately damaged by the fragile strains of a violin. Ninety-one-year-old Meenakshi Subramanian is fine-tuning her instrument. She briefly launches into an alapana in Kedaram or Shankarabharanam or Khamas or Begada or Pantuvarali, earlier than taking part in her favorite keerthanas.

Born in 1934, Meenakshi Subramanian might be one of many final musicians of her technology from the composite Thanjavur district to have remained confined to her village — extra exactly, throughout the 4 partitions of her house — while others migrated to Chennai. She too might need carved out an area for herself and the Mayavaram Govindaraja Pillai type of violin taking part in on the planet of Carnatic music in Chennai. Nonetheless, that chance was denied to her as polio troubled her legs on the age of 4.

.“I began studying the violin from Kuttalam Vaithilingam Pillai, a scholar of Mayavaram Govindaraja Pillai, on the age of ten. The teachings continued for 5 years. Subsequently, I learnt an important deal from listening to musicians similar to G.N. Balasubramanian, M.S. Subbulakshmi, D.Ok. Pattammal, Lalgudi Jayaraman, and Chembai Vaidyanatha Bhagavathar,” says Ms Subramanian, whose glorious listening to schools, even at this age, nonetheless enable her to hearken to music with readability.

Her father, Ok. Ramachandra Iyer, was a schoolteacher who organized house tuition for her as much as the eighth commonplace. A music lover, he additionally determined to show his daughter the violin. Vaithilingam Pillai frequently visited their spacious, outdated Thanjavur-style home — nonetheless preserved by her household — to offer her classes. On the wall of the home hangs {a photograph} of a curious four-year-old Meenakshi. The musical environment in her house — as her aunts and 4 sisters would sing — labored in her favour, and she or he rapidly picked up the violin. Music appears to have sustained her all through her life.

Nonetheless, she hardly ever had the chance to attend dwell concert events or carry out. “I attended solely two concert events — one by D.Ok. Pattammal and one other by Chembai — organised in reference to the annual celebrations on the college the place my father labored,” she stated.

She was married to Subramanian, who moved to Mathirimangalam to be together with her. “He was additionally all for music as a result of he was a relative of the vocalist and musicologist Dr. S. Ramanathan,” she stated.

She went on to play a number of of her late husband’s favorite songs, which included Brocheva in Khamas, Sakalakalavaniye in Kedaram, Ennaga Rama Bhajana in Pantuvarali, and Bharathiyar’s Chinnanchiru Kiliye. She nonetheless retains the violin with which she first began taking part in — it’s now 80 years outdated.

“As soon as, throughout a bout of rain, it was broken, and my brother repaired it in Chennai. She used to play an important deal — now hardly an hour a day due to her age,” stated M.S. Ganesan, her son. He added that his elder brother, Jaganmohan, now dwelling in Chennai, is well-versed within the nuances of Carnatic music.

“She frequently watches Carnatic music programmes on Sankara TV. She wakes up very early within the morning and begins watching. She could be very sharp and rapidly learns new keerthanas,” stated Sankarai, her daughter-in-law.